Beyoncé Knowles may have tripped and tumbled down a flight of stairs onstage a month and a half back in Orlando and had a "wardrobe malfunction" two weeks ago in Toronto, but there were no slipups Friday night in Oakland - just two fast-paced hours of terrific singing, solid musicianship, spectacular staging and some of the most imaginative choreography ever to have graced the stage of Oracle Arena. With only one more week to go in her current 41-city North American tour, the 25-year-old Texan had the show, billed as "The Beyoncé Experience," down pat. Every twitch, turn, slide and hip shake was in perfect sync with the accents of her 13-member, all-female backup band, which provided periodic instrumental interludes that permitted the star to exit the stage for quick changes of costume. There were seven altogether, every one fabulously glamorous, most of them tailored to highlight the singer's ample cleavage and a pair of legs to rival Tina Turner's. At one point, when the legs were concealed by a long scarlet gown, wind blew from underneath to expose them. Beyoncé may have borrowed a trick or two from Marilyn Monroe, but unlike the late actress, this girl can really sing. She rendered 32 songs Friday, including many of the tunes from her two solo CDs, abbreviated versions of 10 of her Destiny's Child hits and "Listen," her showstopper from "Dreamgirls." On that song and several other ballads, she added occasional bits of rasp to her ringing mezzo tones to emphasize key lines. She was particularly powerful on "Speechless," a masterpiece of lyrical minimalism that she delivered while sitting on a couch that resembled a giant set of glossy red lips. Beyoncé was in motion most of the time, however, yet never appeared to be out of breath. The cadenza of "Dangerously in Love" served as a showcase for her awesome vocal chops, as she ended a long sustain with microtonal Arabic melismas, followed by a string of descending blue notes that drew on both gospel music and the late soul singer Billy Stewart. Beyoncé, her 10 instrumentalists, three harmony vocalists (whose voluptuous figures cut a striking contrast to Beyoncé's svelte frame) and 10 dancers performed much of the concert on a set of stairs that stretched most of the width of the stage. The stairs changed colors often; they were green when Beyoncé sang "Green Light" and pink when the band played "The Pink Panther Theme." (She co-starred with Steve Martin in the 2006 version of the film.) Each musician was given a solo in the spotlight, including bandleader Bibi McGill, with her Jimi Hendrix-inspired guitar flight, and alto saxophonist Tia Fuller, with her cascading bop-tinged lines and striking command of the instrument's upper register. Rie Tsuji and Britanni Washington played dueling pianos, mixing Beethoven and Bill Evans with some Liberace-like flash thrown in for entertainment's sake. Carmalita Glaspie, during a thundering drum solo, picked up a bottle of water with her left hand and took a swig while continuing to play with her right. Kimberly Thompson, the band's other drummer, began her solo blindfolded. The dancers complemented Beyoncé throughout. Men in camouflage fatigues slithered on the floor at one point as she sang. One did a twirling break dance. Two ripped off their sweat-soaked T-shirts and flung them into the audience. Women flanked Beyoncé at times, their synchronized moves with the singer suggesting the Ikettes. During a costume-change interlude, a man and a woman performed a graceful ballet, embracing as they spun together, then kissed. But none of the supporting dancers upstaged the star, whose movements included a hip-gyrating belly dance during "Naughty Girl" (which interpolated Donna Summer's "Love to Love You Baby") and a Naomi Campbell runway walk on the infectiously syncopated "Get Me Bodied." "I've been singing my heart out for over two hours," Beyoncé said toward the close of the show. "Now it's time for you to sing for me."Smiling as she stood silently, her long auburn hair flapping in a breeze, Beyoncé wove her microphone in the air while the fans sang the final selection, "Irreplaceable," as a mass choir. They had come to witness "The Beyoncé Experience" and left having been made a part of it. SOURCE OF THIS STORY
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