Mary J. Blige - Growing Pains

Pain and drama have been two major components of Mary J. Blige's recording career ever since her groundbreaking 1992 debut album What's the 411?, though in recent years she has made great strides to find some balance, peace and happiness in a world that had gotten used to her cries for help. With the release of 2006's The Breakthrough, a new star was re-born and, like few contemporary R&B singers, still boldly expressed her deep raw emotions. Gone are the days of uncertain business affairs and unscrupulous lovers. Mary is happily married to her husband, Kendu Isaacs, and, as she's indicated in interviews, they are in complete control of everything.  And Growing Pains, while referencing the past, serves more to document Mary's current struggle for spiritual growth.The first three tracks (including the singles "Just Fine" and "Work That") seek to convey a strong message to all female listeners. On "Just Fine," Mary turns up the tempo and unabashedly sings - "now I like what I see when I'm looking at me when I'm walking past the mirror." It's the subject matter that helped to transform this peculiar tune into a Billboard chart-topper. Mary comes off very strong in her convictions and very believable in her delivery.Once upon a time, R&B was synonymous with ballads, but they are often given short shrift in many contemporary R&B albums. Growing Pains is an ode to the vintage Mary sound that made her famous. The ballads are plentiful and the production lends itself to her soul-filled voice. "Hurt Again" is one of the album's most honest offerings, with Blige's character courageously confessing her inner most feelings for a new love interest. The fear of getting hurt again has convinced her to behave as if she couldn't care less about this man who's taking her breath away.Mary then surrenders some of her independence on "Feel Like A Woman." She wants her man to pamper her like the woman she is and also shower her with the finer things in life (diamonds and designer clothes).Growing Pains dissects the loving relationship she has with her husband and also with herself. The introspective mid-tempo cut "Fade Away" effectively contemplates how great invisibility would be at a moment when the valleys outnumber the peaks. A disappearing act is a tall order, but sometimes the only way to truly escape the madness. SOURCE OF THIS STORY