The recent release of singer/songwriter Kipper Jones sophomore project, Keep It Pushin', eighteen years after his 1990 debut, Ordinary Love,
underscores several recent music industry phenomena of note. Jones
project highlights how these are the best and worst days for industry
veteran artists and songwriters. Best, because the industry's
democratization of music through Internet expansion has increased
direct consumer access to artists and their downloadable creative
goods, removing the labels as middlemen. This cultural shift has
allowed successful, established songwriters like Jones to step out of
the shadows of liner note celebrity onto a more public stage as a
recording talent. A gifted, once maverick singer/songwriter dropped by
a major label (Virgin Records) after releasing a critically-acclaimed
but commercially unsuccessful debut, is exactly who this indie
revolution should benefit. A quadruple threat, with production and
arranger credits on peak projects for Boyz II Men, Brian McKnight and
Chante Moore, should be even better primed for-and maybe even
deserved of-greatness. Within such an idyllic context, with his proven
skills and seasoning, Jones, should now be poised to become a
recording star rather than sell star-making hits to others. After all,
this is the same Kipper Jones who co-wrote Brandy's star-turning first
hit, "Baby," and wrote Vanessa Williams into R&B history with the
hits "The Right Stuff" and "Comfort Zone." And yet, the perfect
industry storm matched with Jones's perfected talents has produced a
sophomore project that delivers more rain than thunder. SOURCE OF THIS STORY