EXCERPT FROM LA TIMES -- With recent roles in movies including “Max
Payne,”“RocknRolla”
and, of course, best picture Oscar winner "Crash," Chris
Bridges, a.k.a. Ludacris, has an enviable film career by any standard but
especially among typecast-prone rappers. "Theater of the Mind," his sixth album,
proves that the rapper-actor-restaurateur has mastered Hollywood's most abiding
lesson: Stick to formula. Each song plays like a scene in a movie, a motif that
makes for richly visual storytelling but many a familiar situation. While Bridges the actor hasn't suffered from undue typecasting, the
album's marquee cast sometimes pays that price. Luda at least tears into
the playbook with passion and a high roller's aplomb, without losing the
laid-back clowning that's made him appealing to Hollywood. With scores from
Scott Storch, Swizz Beatz and other bright minds of the business, glitzy
soundscapes abound. Some of those help smooth over a few of Ludacris' crass
rhymes that recall a rare misstep earlier this year, his pro-Obama song that
took cheap shots at Sens. John McCain and Hillary Rodham Clinton. When it
comes to Luda's all-star guest cast, each member appears as persona status quo.
T.I. is sleazy and seductive on "Wish You Would," and Rick Ross hoarsely raps
straight out of some dank Miami lair. Even DJ Premier's elegant minimalism fails
to challenge on "MVP." In short, everyone plays exactly to character. SOURCE:LATIMES.COM
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