It's the comeback that wasn't.
Despite all the good will aimed Whitney's way from a huge and loving Central Park crowd on Tuesday, she blew her big moment.
And, the heartbreaking part is, she knew it.
Her apology, blaming a blabby interview with Oprah taped the day before, came three songs into her four-number set.
At
least her "sorry, guys" offered some relief. It allowed her to publicly
acknowledge what even the most devoted fans couldn't ignore.
Every song Houston
performed had a moment where her voice cracked, and throughout her set
she treated the high notes the way the driver of a brand new car would
a pothole.
Not that Houston sounded entirely hoarse or winded
during the set. She growled with confidence during the funkiest parts
of her old hit "My Love Is Your Love," and in the verses of her new
single "Million Dollar Bill," she had some of her old, ringing tone.
She also had energy on her side. The bright-looking singer bounded on to the stage at Rumsey Playfield
yesterday just after noon, opening with the new single. But if she
delivered the song's verses with some verve, she left it to the
audience, and her backup singers, to tackle the choruses.
The
biggest problems showed in the title song to her new CD, "I Look To
You." It's just the kind of high drama ballad Houston would have soared
to the sky with in her prime. But this time, she cut off notes early,
and merely spoke parts of the verses.
Even Houston's new studio
recording shows some damage to her instrument. She has a huskier sound
than before. But the fact is, she can do better than she did yesterday.
Houston's three-song performance for an industry crowd at Clive Davis'
Grammy party back in February found her in far more sturdy form.
Houston also has a small bit of encouraging news on the sales front.
Early reports peg the new CD as an almost-sure No. 1 on Billboard's album chart, out next week.
But for her comeback to have the wow we want, she'll have to not just sell well, but soar when she sings.
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